In the center of the room, under a brilliantly white spot of light, is the inventor himself. Behind him is a massive circular stained glass window. He sits inside a metal box with two oxygen-pumping apparatuses on either side, forming some sort of iron lung. A tube leads from the pumps into his nostrils. His faded blue eyes are full of life and intelligence. They focus on us, filling with contempt as a sneer breaks out on his ancient face.
As it steps into the light, I am unsurprised to see an automaton of the fabled Minotaur.
“I believe this is what I would have called a remnant world during my traveling years. It is a world whose time has ended and is void of life, so the only thing we see is the shell of that world. I believe the levels of the labyrinth are pieces of those remnants that Daedalus must have stayed in to hide from the gods. Somehow, he managed to stitch them together here to fill his labyrinth.”
I grip its handle as the song of the cosmos sings to me, the blade taking on its many colors. I raise it and begin to cut the mirrors down like foes on a battlefield. The sounds of exploding and shattering glass echo in the empty warehouse, clinking as it hits the floor and scatters. The heavy frames reverberate loudly as they hit the ground, cracking the concrete when it impacts, sending small fragments up into the air.
